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ओवाळीतो स्वामीराया

Ovalito Swamiraya (Shegaon Sayan Aarti)

ओवाळीतो स्वामीराया । माथा पदी ठेवूनीया ॥धृ॥

Ovalito Swamiraya, Matha Padi Thevuniya ॥Dhru॥

आवरी जगन्मोहिनीला । दावी चिन्मय स्वरूपाला ॥देई सद्बुध्दी मजला । प्रेमे तव यश गाण्याला ॥(चाल)भक्तांकितां स्वामीराया, चरणी मी शरण ॥करूनी भय हरण, दावी सुख सदन ॥अमित मम दोष त्यागुनीयां । विनवितो दास तुला सदया ॥१॥

Avari Jaganmohinila, Davi Chinmaya Swarupala ॥Dei Sadbuddhi Majala, Preme Tav Yash Ganyala ॥(Chaal)Bhaktankita Swamiraya, Charani Mi Sharan,Karuni Bhay Haran, Davi Sukh Sadan ॥Amit Mam Dosh Tyaguniya, Vinavito Das Tula Sadaya ॥1॥

जन-पदमुक्ति-पदान्याया । स्थली या अवतरला राया ॥(चाल)ही जड मुढ मनुज-काया । पदीं तव अर्पियली राया ॥(चाल)हे दिग्वसन योगीराया, नको मज जनन पुनरपि मरण, येत तुज शरण ॥पुरवी ही आस संतराया । प्रार्थना हीच असे पाया ॥२॥

Jan-Padmukti-Padanyaya, Sthali Ya Avatarla Raya ॥(Chaal)Hi Jad Mudh Manuj-Kaya, Padi Tav Arpiyali Raya ॥(Chaal)He Digvasan Yogiraya, Nako Maj Janan Punarapi Maran, Yet Tuj Sharan ॥Purvi Hi Aas Santaraya, Prarthana Hich Ase Paya ॥2॥

नेण्या अज्ञ-तमा विलया । अलासी ज्ञान रवी उदया ॥करी तु ज्ञानी जनाराया । निरसुनी मोह-पटल माया ॥(चाल)गजानन संतराया असशी बळवंत । तसा धीमंत नको बघु अंत ।विनवितो दास तुम्हा राया । नका त्या दूर करू सदया ॥३॥

Nenya Adnya-Tama Vilaya, Alasi Dnyan Ravi Udaya ॥Kari Tu Dnyani Janaraya, Nirasuni Moh-Patal Maya ॥(Chaal)Gajanan Santaraya Asashi Balwant, Tasa Dhimant Nako Baghu Ant,Vinavito Das Tumha Raya, Naka Tya Dur Karu Sadaya ॥3॥

About Ovalito Swamiraya (Shegaon Sayan Aarti). Ovalito Swamiraya is the evening aarti sung daily before Shree's Gaadi, the samadhi shrine at the Gajanan Maharaj temple in Shegaon, set to the tune of the older aarti Bhuvansundarachi. No individual author is credited for it in the Sansthan's own aarti literature, and it is treated here as anonymous, long-established temple liturgy handed down with the daily worship tradition. Its refrain and three verses address Gajanan Maharaj as a formless yogi who took human shape out of compassion, asking him to dispel ignorance and illusion and to free the singer from the cycle of birth and death. It is chanted as part of the fixed sequence of evening prayers performed at the samadhi each day.